There’s no mistaking the sultry lilt of Eliana Glass—alternating between an offbeat, searching quality and her poignant, awe-inspiring range. Her piano playing also possesses this stirring push and pull between the otherworldly and painfully human—each melody its own unique, aching realm. Glass’ sparse, meditative music often captures, in her words, the “condensation of everyday life,” an image that suits the bittersweet, ephemeral, and abstract nature of her work. Glass’ debut album, E, arrives via Shelter Press, and not only is it a tender portrait of her lifelong relationship with the piano, it’s also a distillation of entire lifetimes into song.

Glass took an immediate liking to her parents’ piano, frequently hiding underneath it and letting her imagination run wild. “I felt protected under the wooden beams, and I remember looking up at the legs, wires, and foot pedals and seeing the instrument in a new way—everything suddenly everted,” Glass recalls. “I like to think about E as recalling this memory in sound.”

‘Good Friends Call Me E’, one of the tracks from E, was listed on Pitchfork’s 100 Best Songs of 2025.

Glass (b.1997) is a singer, pianist, and visual artist born in Australia. She is a graduate of the jazz program at The New School where she studied with such mentors as Andrew Cyrille, Ben Street, Kris Davis, and Jay Clayton. She also holds a degree in Visual Studies and Writing and works freely across multiple mediums.

Her work dedicates special attention to sparseness, and she draws from such influences as the human voice, visual art and the natural world.