Jasmine Guffond

1 May 2025

Jasmine Guffond is an artist and composer working at the interface of social, political and technical infrastructures. Her practice spans live performance, recording, sound installation and custom made browser plug-in. Through the sonification of data she addresses the potential for sound to engage with contemporary political questions. Recent projects employed digital technologies, sonification and the aesthetisation of data as a means of fostering discussion around contemporary surveillance technologies as well as producing experimental audio works. Interested in providing an audible presence for phenomena that usually lies beyond human perception, via the sonification of facial recognition algorithms, global networks or internet tracking cookies she questions what it means for our personal habits to be traceable, and for our identities, choices and personalities to be reduced to streams of data.

Jasmine has exhibited internationally, including composing the sound for Shulea Cheang’s installation in the Taiwanese Pavilion at the Venice Biennale (2019) and collaborating with Zorka Wollny on a sound installation for the Chicago Architecture Biennale (2019). She has performed internationally at electronic music and art festivals, including the opening of the CTM Festival (DE) in 2020 and a commissioned work for the Groupe de Recherches Musicales (GRM) Acousmonium, premiered in Paris at Présences Électronique in 2022.

Intuitively exploring abstract sounds and referencing traditional musical structures, Jasmine Guffond has released solo albums on Sonic Pieces (2015, 2017), Karl Records (2018), and Editions Mego (2020) labels to critical acclaim.

She was awarded the Berlin Senate Working Scholarship for New Music and Sound Art in 2016 and 2022, and was featured in Wire magazine in 2019.

In 2021 Dr. Jasmine Guffond completed her PhD at the University of New South Wales Art, Design & Architecture department, where she conducted research into sound as a method of investigation into online surveillance cultures.

Image by Camille Blake

Performance

Performance

Thursday 1 May 2025, 7:00pm

Location

Phoenix Central Park
49 O'Connor St, Chippendale

Tickets

Free, by ballot only

Ballot closed

Ballot draw date: Wednesday 23 April 2025

Ticketing FAQs

  • All performances at Phoenix Central Park are free.

  • Phoenix Central Park is an intimate performance space and tickets are limited. Due to high demand, tickets will be issued at random to those who have entered each ticket ballot. Each performance has a separate ballot, so if you would like to attend multiple performances, you will need to enter each ballot separately.

    We advise you to listen to the artist you are entering the ballot for, and consider which shows you’d really like to attend. Entering more ballots does not increase your chances of attending.

    Please only enter our ballots with your own details - if we catch you using false details, you won’t have any luck. We reserve the right to cancel any tickets we believe are obtained through false information at any time.

  • If you are successful you will receive an email up to ten days prior to the performance with instructions on how to claim your tickets.

    This offer is only valid for a limited time. Unclaimed tickets may be forfeited. You will have the option of confirming up to two tickets for a performance.

  • No, your tickets will be valid for a specific performance only. If you are unable to attend, please pass the ticket onto a friend or contact us at tickets@phoenixcentralpark.com.au to allow someone else the opportunity to attend.

    You can enter ticket ballots for your chance to attend another performance.