James Morley
Live at The Church
20 March 2026
Hailed as “Australia’s most exciting young cellist” (Limelight), Switzerland-based Australian musician James Morley works largely as a soloist and chamber musician, and frequently extends into experimental improvisation, electronics and post-instrumental performance. In 2024 James became a YCAT Artist, following a recital performance at Wigmore Hall, before winning the John Cage Award as a duo with Dmitry Batalov. Performance highlights include giving his solo recital debut at Sydney Opera House, Utzon Room, touring Australia with Jean-Guihen Queyras & Satsuki Odamura for Musica Viva, solo recitals at Phoenix Central Park Season XI, Harrogate Festival, Tempo Rubato, Klänge, and joining Manchester Collective in Wigmore Hall and APEX4 at Sydney Festival. He gave his UKARIA solo recital debut at Adelaide Festival 2022 to critical acclaim, and was a finalist of the prestigious Freedman Fellowship 2020.
In 2025 he returned to perform solo at UKARIA, alongside performances at Into the Open Strasbourg, Musica Viva, Brunswick Music Festival, Abbotsford Convent, and more. In 2026 he will be in residence at Harvard University to develop a collection of new works for solo cello as well as developing improvisatory works at UKARIA with Helen Svoboda, will present solo recitals at Wigmore Hall, Berlin Konzerthaus and more, and will perform as concerto soloist with Canberra Symphony Orchestra.
James began a Performance Master under Nicolas Altstaedt at the Hochschule für Musik “Hanns Eisler” Berlin in 2025. He completed a post-graduate year under Thomas Demenga and Imke Frank at Musik-Akademie Basel the year prior, following a Masters of Contemporary Music Performance there under Marcus Weiss, Yaron Deutsch, Sarah Maria Sun & Mike Svoboda. Originally from Adelaide/Tandanya, he completed his Bachelor of Music (Performance) at Sydney Conservatorium on scholarship with Julian Smiles in 2018, and then under the tutelage of Howard Penny at the Australian National Academy of Music (ANAM) in Melbourne/Naarm.
James is a specialist in contemporary music performance, and has had the pleasure of closely collaborating with many composers and performers. He has premiered solo works by Liza Lim (‘Cello Playing ~ as Meteorology), Josephine Macken, Ivan Liuzzo, Elnaz Seyedi, Isaac Roth Blumfield, Fergus Hall, Jane Sheldon, ensemble works by Bernhard Lang, Stefan Prins, Elnaz Seyedi, Séverine Ballon, Lucia Kilger, Clemens Thomas, Bree van Reyk, Michael Wertmüller, and orchestral works by Thomas Adès. He has performed at Lucerne Festival, Frau Musica Nova Köln, Spreehalle Berlin, Tzlil Meudcan Tel Aviv, Festival Musica Strasbourg, Vapore D’Estate Milan, Festival dei Due Mondi Spoleto, Volta Kammermusikfest, Harvard Group for New Music, and has collaborated with the likes of Simon Steen-Andersen, Sylvain Cambreling, Stefan Prins and Håkon Stene. As an improviser, James released the record postauto in 2024 as Helen + James with renowned bassist/vocalist Helen Svoboda. He was recently guest mentor in the specialised performance of the music of Liza Lim at the Hochschule für Musik Frankfurt. James is grateful to be mentored in contemporary cello, composition/improvisation, andproject management by Lucas Fels, Séverine Ballon, Pierre Morlet, Helmut Lachenman, Genevieve Lacey, and Jasmine Wing Yin Leung.
Chamber music is a core focus in James’ work. In Europe he regularly performs with a diverse array of new music ensembles, including ensemble S C O P E, NAMES, Ensemble of Nomads, Ensemble eeek!, Manchester Collective, Ensemble Garage, KlangLab, Ministry of Bad Decisions, Ensemble Aventure, Voltakammermusik Collective, and zone expérimentale. In 2019 James co founded Rathdowne Quartet who were engaged by Melbourne Recital Centre, Utzon Room Sydney Opera House, Bendigo Chamber Music Festival, and more. Regular projects in Melbourne include collaborations with Wilma & Friends, Melbourne Chamber Orchestra, members of Melbourne Symphony Orchestra, and both Penny and Partridge Quartets. Other chamber music colleagues include Pekka Kuusisto, Jean-Guihen Queyras, Gregory Ahss, Sophie Rowell, regularly with pianist Dmitry Batalov as well as violinist Anna da Silva Chen.
James plays the 'Ex-Robert Barrett' cello made in 2004 by Rainer Beilharz, kindly on loan from Professor Mitra Guha, in memory of her late husband.
Header image: Kaupo Kikkas
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SALVATORE SCIARRINO
Ai limiti della notteGIUSEPPE COLUMBI
ChiaconaGYÖRGY LIGETI
Sonata for solo celloJANE SHELDON
The Unfolding HourDAVID FULMER
Star of the North - Requiem for ZhanaozenFERGUS HALL
AdriftLIZA LIM
Spirit Weapons IBRETT DEAN
Eleven Oblique StrategiesHEINRICH IGNAZ FRANZ VON BIBER
Passacaglia
This performance will take place at The Church.
The Church is a meticulously restored 19th-century Gothic church in Alexandria, NSW owned by Judith Neilson AM that houses rehearsals and work development for musicians by invitation.
Performance
PerformanceFriday 20 March 2026
7:00pm
LocationThe Church
9 Mitchell Rd, Alexandria
TicketsFree, by ballot only
Ballot closes in
Ballot draw date: Tuesday 17 March 2026
Ticketing FAQs
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All performances at The Church are free.
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The Church is an intimate performance space and tickets are limited. Due to high demand, tickets will be issued at random to those who have entered each ticket ballot. Each performance has a separate ballot, so if you would like to attend multiple performances, you will need to enter each ballot separately.
We advise you to listen to the artist you are entering the ballot for, and consider which shows you’d really like to attend. Entering more ballots does not increase your chances of attending.
Please only enter our ballots with your own details - if we catch you using false details, you won’t have any luck. We reserve the right to cancel any tickets we believe are obtained through false information at any time.
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If you are successful you will receive an email up to ten days prior to the performance with instructions on how to claim your tickets.
This offer is only valid for a limited time. Unclaimed tickets may be forfeited. You will have the option of confirming up to two tickets for a performance.
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No, your tickets will be valid for a specific performance only. If you are unable to attend, please pass the ticket onto a friend or contact us at tickets@phoenixcentralpark.com.au to allow someone else the opportunity to attend.
You can enter ticket ballots for your chance to attend another performance.