Sonya Lifschitz x Christine Johnston
Live at The Church
30 October 2026
Renowned for their exceptional artistry in their respective genres, pianist Sonya Lifschitz and vocalist Christine Johnston form one of Australia’s most dynamic powerhouse duos.
In this critically acclaimed reimagining of George Crumb’s groundbreaking 'Makrokosmos', Book 1, piano maverick and virtuoso Sonya Lifschitz is joined by performance artist Christine Johnston (The Kransky Sisters) as Madame Lark to unleash their duelling scores. Part cabaret, part recital, this audacious reinterpretation places Crumb’s zodiac-inspired fantasy pieces amidst the sounds of the Antipodes. As Sonya conjures mythical, primordial sounds from inside the piano, Madame Lark performs with her musical saw and overhead projector. Together, they bring George Crumb’s masterwork to life in an intriguingly whimsical and altogether unexpected way.
The worlds of classical music, performance art and comedy collide in this breathtaking performance, showcasing Sonya and Christine’s consummate musicianship, thrilling audacity, and daring imagination.
About Christine Johnston
Christine Johnston combines vocal performance and music with her visual arts background in creating stand out work. Known for her bent on humour, dramatic visual style, musical-saw and bird calls, she has created a diverse range of works nationally and internationally. Along with self-devised performances, including Madame Lark, she is also co-creator of the multiaward winning comedic trio The Kransky Sisters.
About Sonya Lifschitz
Sonya Lifschitz is an award-winning Ukrainian Australian pianist, performance -maker, pedagogue, artistic researcher, and cultural leader at the forefront of classical and contemporary art music. With repertoire spanning from 15th century Faenza Codex to works written for her today, she is known for her fiercely imaginative, daring collaborations across theatre, dance, film, visual art, and spoken word to create work that positions art music at the nexus of interdisciplinary performance practices. Described as “a life force of extraordinary density and capacity” and praised by the New York Times and The Age for her “dynamic” and “powerful” performances, Sonya’s artistry combines bold adventurousness with “miraculous keyboard technique and musicianship” (Woodstock Times). In 2024 she was the recipient of the prestigious Australian Women in Music ‘Excellence in Classical Music’ Award. Sonya has performed on world’s leading stages, including the Barbican (London), Venice Biennale (Italy), De Doelen (Rotterdam), Bargemusic (New York), Detroit Institute of Art (USA), and all of Australia's major festivals including Adelaide, Sydney, Melbourne, Brisbane and Darwin Festivals, Canberra International Music Festival, Extended Play (Sydney), Metropolis (Melbourne), MONAFOMA (Hobart), Four Winds (Bermagui), and Ten Days on the Island (Tasmania). A regular ABC Classic presenter, Sonya has been featured on ABC and SBS TV and on national radio, including ABC Classic’s Legends, Duet, Festival of Female Composers, New Waves, and ABC Radio National’s Music Show. As a Fulbright Scholar, she studied with the legendary American pianist-conductor Leon Fleisher at the renowned Peabody Conservatory of Music (John Hopkins University, USA) and holds a PhD from the University of Melbourne. She is currently Head of Music Performance and Creative Practice at the University of NSW.
"Sonya Lifschitz is the most singular concert pianist in Australia today." — (Paul Kildea, Musica Viva Australia Artistic Director)
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GEORGE CRUMB (1929–2022)
Makrokosmos, Book IPART ONE
Primeval Sounds (Genesis I) (Cancer)
Proteus (Pisces)
Pastorale (from the Kingdom of Atlantis, ca. 10,000 B.C.) (Taurus)
Crucifixus (Capricorn)
PART TWO
The Phantom Gondolier (Scorpio)
Night-Spell I (Sagittarius)
Music of Shadows (for Aeolian Harp) (Libra)
The Magic Circle of Infinity (Moto Perpetuo) (Leo)
PART THREE
The Abyss of Time (Virgo)
Spring-Fire (Aries)
Dream Images (Love-Death Music) (Gemini)
Spiral Galaxy (Aquarius)
This performance will take place at The Church.
The Church is a meticulously restored 19th-century Gothic church in Alexandria, NSW owned by Judith Neilson AM that houses rehearsals and work development for musicians by invitation.
Performance
PerformanceFriday 30 October 2026
7:00pm
LocationThe Church
9 Mitchell Rd, Alexandria
TicketsFree, by ballot only
Ballot closes in
Ballot draw date: Tuesday 27 October 2026
Ticketing FAQs
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All performances at The Church are free.
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The Church is an intimate performance space and tickets are limited. Due to high demand, tickets will be issued at random to those who have entered each ticket ballot. Each performance has a separate ballot, so if you would like to attend multiple performances, you will need to enter each ballot separately.
We advise you to listen to the artist you are entering the ballot for, and consider which shows you’d really like to attend. Entering more ballots does not increase your chances of attending.
Please only enter our ballots with your own details - if we catch you using false details, you won’t have any luck. We reserve the right to cancel any tickets we believe are obtained through false information at any time.
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If you are successful you will receive an email up to ten days prior to the performance with instructions on how to claim your tickets.
This offer is only valid for a limited time. Unclaimed tickets may be forfeited. You will have the option of confirming up to two tickets for a performance.
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No, your tickets will be valid for a specific performance only. If you are unable to attend, please pass the ticket onto a friend or contact us at tickets@phoenixcentralpark.com.au to allow someone else the opportunity to attend.
You can enter ticket ballots for your chance to attend another performance.