Timo-Veikko Valve
Live at The Church
21 August 2026
Timo-Veikko Valve, affectionately known by audiences far and wide as “Tipi”, grew up in Finland, surrounded by a family who are “musically orientated normal people”. Music lessons were a natural part of his upbringing, and at six years old, Tipi was encouraged to pick up the cello aAer a teacher at the local music school declared with considerable conviction that “he looks just like a cellist!”. To this day, Tipi remains somewhat puzzled about what that statement actually meant. Whatever the subtext, the teacher seems to have been correct.
Valve was appointed Principal Cello of the Australian Chamber Orchestra in 2006, and his leadership soon became an integral part of the ACO. Recognised for his natural, creative, and generous musicianship, Tipi seeks to define the modern-day musician. Prior to his Australian adventure, Tipi studied at the Sibelius Academy in Helsinki before continuing to the Edsberg Music Institute in Stockholm.
Tipi effortlessly transitions between modern and period instruments and describes the cello as a flexible and adaptive partner, both in its role in an ensemble and as a soloist, across all forms of music. He reflects this versatility and enjoys a diverse career as a musician, curator and director, directing from the cello and appearing as a soloist with many of the major orchestras across his two home countries, Finland, and Australia. Tipi is also a sought-after collaborator and frequently appears as a chamber musician. His active commitment to the music of our times through curating and commissioning has seen him deliver world-premiere performances of multiple concertos and other significant works written especially for him.
Currently, Tipi plays on a Brothers Ama' cello from 1616, kindly on loan from the ACO Instrument Fund.
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J. S. BACH
Prelude from Cello Suite No. 1 in G major,BWV 1007
KATE MOORE
Lidy’s Piece (2015)
J. S. BACH
Adagio from Violin Sonata No. 1 in G minor, BWV 1001
ANNE LEILEHUA LANZILOTTI
ko’u inoa (2017)
KAIJA SAARIAHO
Dreaming Chaconne (2010)
GIUSEPPE COLOMBI
Chiacona
JEAN SIBELIUS
Theme and Variations (1887)
This performance will take place at The Church.
The Church is a meticulously restored 19th-century Gothic church in Alexandria, NSW owned by Judith Neilson AM that houses rehearsals and work development for musicians by invitation.
Performance
PerformanceFriday 21 August 2026
7:00pm
LocationThe Church
9 Mitchell Rd, Alexandria
TicketsFree, by ballot only
Ballot closes in
Ballot draw date: Tuesday 11 August 2026
Ticketing FAQs
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All performances at The Church are free.
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The Church is an intimate performance space and tickets are limited. Due to high demand, tickets will be issued at random to those who have entered each ticket ballot. Each performance has a separate ballot, so if you would like to attend multiple performances, you will need to enter each ballot separately.
We advise you to listen to the artist you are entering the ballot for, and consider which shows you’d really like to attend. Entering more ballots does not increase your chances of attending.
Please only enter our ballots with your own details - if we catch you using false details, you won’t have any luck. We reserve the right to cancel any tickets we believe are obtained through false information at any time.
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If you are successful you will receive an email up to ten days prior to the performance with instructions on how to claim your tickets.
This offer is only valid for a limited time. Unclaimed tickets may be forfeited. You will have the option of confirming up to two tickets for a performance.
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No, your tickets will be valid for a specific performance only. If you are unable to attend, please pass the ticket onto a friend or contact us at tickets@phoenixcentralpark.com.au to allow someone else the opportunity to attend.
You can enter ticket ballots for your chance to attend another performance.